Giulio Carpioni (Venice, 1613 - Vicenza, 1678) attributable Bacchanal Oil on canvas (98 x 132 cm - Framed 120 x 154 cm) Full details of the work (click HERE) The painting, of high quality and beautifully preserved, is a refined pictorial test by Giulio Carpioni (Venice, 1613 - Vicenza, 1678), one of the most talented Venetian painters of the 17th century, and depicts a typical "Bacchanal", a favorite subject that has been taken up several times. It is, in particular, a festival in honor of Bacchus, the Roman god of wine (or Dionysus in Greek mythology), characterized by nude or semi-nude mythological figures, such as satyrs, nymphs, maenads and putti, who dedicate themselves to idleness and the consumption of wine in a natural environment, abandoning themselves to unbridled pleasures, libations, dance, music and eroticism. Trained with Padovanino and on the classicism of the sixteenth-century Venetian tradition, Carpioni drew great inspiration from the early works of Titian, especially the mythological compositions and especially his famous Bacchanals; it was in particular during his trip to Rome that he was able to see and study the "Bacchanal of the Andrians", now in the Museo del Prado in Madrid, datable between 1523 and 1526. He was fascinated by the dynamic movement, the sensuality of the bodies and the interaction of light and shadow. He then took up, reworking them, many characters from the Titian painting such as the sensual nude of the nymph lying down at the bottom left. Then, moving to the right, there is the nice ''puer mingens'' (a figure in a work of art depicted as a pre-pubescent boy in the act of urinating) who spurts pee against a nymph who turns annoyed by this spiteful gesture. In Rome, the artist was also influenced by the realism of the Bamboccianti, as well as the classicist instances of Poussin, who devoted himself with great success to the same theme of the Bacchanals. The painting presented here can be compared in particular with the Bacchanal of the Accademia Carrara in Bergamo (https://catalogo.fondazionezeri.unibo.it/scheda/fotografia/108771/), similar in size, in which the figure of the fat drunken Silenus supported by young helpers is reproduced almost identically in the counterpart (https://www.lombardiabeniculturali.it/opere-arte/schede/C0050-00068/), and again with the Bacchanal of the Pinacoteca del Castello Sforzesco (https://www.lombardiabeniculturali.it/opere-arte/schede/B0020-00078/), in addition to the painting of the Civic Museums of Vicenza through the legacy of Carlo Vicentini Dal Giglio in 1834. ADDITIONAL INFORMATION: The work is sold complete with a pleasant golden frame and is accompanied by a certificate of authenticity and a descriptive iconographic sheet. We take care of and organize the transport of purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda, we will be happy to welcome you to show you our collection of works. Contact us, without obligation, for any additional information. Also follow us on: INSTAGRAM https://www.instagram.com/galleriacastelbarco/?hl=it FACEBOOK https://www.facebook.com/galleriacastelbarco/