Bolognese painter, late 17th centuryCircle of Carlo Cignani (Bologna 1628 – Forlì 1719) Noli me tangere ‘’Apparition of Christ to Mary Magdalene’’ (FULL DETAILS: LINK) oil on canvas (120 x 92 cm - framed 132 x 103 cm.) This is a fascinating work, both for the rare subject immortalized and for the pictorial execution, which shows the peculiar characteristics of Emilian painting, more precisely Bolognese, which has made it one of the most appreciated schools in the rich panorama of the Italian Baroque. The scene is certainly pleasant, with a chiaroscuro effect that gives a beautiful plasticity to the two protagonists, and also the quality of the drafting and drawing appear good. These characters contribute to creating a perfect compositional balance, evoking the indispensable models of the seventeenth-century classicism conceived by the founder Guido Reni. We are facing the biblical episode known as 'Noli me tàngere', with the apparition of the resurrected Jesus to Mary Magdalene. Taken from the Gospel according to John, it is a theme dear to the iconography of the seventeenth century, and sees Christ, near the empty tomb, who suddenly appears to Magdalene, who however does not recognize him immediately and even confuses him with "the keeper of the garden"; as soon as the woman sees him, crying, she asks for information on what had become of the body of Christ, who answers her by calling her only by name and thus finally making himself recognized. It is at this point that Jesus pronounces the famous phrase Noli me tàngere (in Latin “do not hold me back"), ordering Mary Magdalene to let him go, and to warn the disciples of his resurrection. Jesus is depicted holding a spade (not a staff as one might think) and this iconography is meant to represent the error of Mary Magdalene who, in the biblical account, does not immediately recognize Jesus, initially mistaking him for the gardener. Going into the attribution detail, the canvas reveals strong stylistic and compositional affinities with the works of the master Carlo Cignani (Bologna 1628 - Forlì 1719), so much so that its execution can be traced back to a painter from his circle. ADDITIONAL INFORMATION: The work is sold complete with a gilded wooden frame, and is accompanied by a certificate of authenticity and descriptive iconographic sheet. We take care of and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda, we will be happy to welcome you to show you our collection of works. Contact us, without obligation, for any additional information. Follow us also on: INSTAGRAM https://www.instagram.com/galleriacastelbarco/?hl=it FACEBOOK https://www.facebook.com/galleriacastelbarco/