Pair of architectural capriccios, Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693)

AA-429360
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Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693) Pair of fantastic architectural capriccios with classic ruins and figures Oils on canvas cm. 47 x 60, framed cm. 55 x 68 Full details of the work:...
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Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693) Pair of fantastic architectural capriccios with classic ruins and figures Oils on canvas cm. 47 x 60, framed cm. 55 x 68 Full details of the work: https://www.antichitacastelbarco.it/it/prodotto/nicolo--codazzi--coppia-di-capricci-architettonici An evocative perspective of classic architectural ruins dominates the scene in this beautiful pair of capriccios, whose style characteristics appear influenced by the models conceived by Viviano (1604 – 1670) and his son Niccolò Codazzi (1642-1693), who collaborated in his father's workshop in Rome before embarking on an independent career. In particular, they are the work of an author active between the late 17th and early 18th centuries, very close to the manner of Niccolò Codazzi in the central period of his Roman production, when he used to collaborate with some 'bamboccianti', who usually inserted small figures of contour to animate the capriccios. After his youth in Naples and his activity in his father's workshop, Niccolò Codazzi, with his works from the Roman period, began to develop an independent artistic personality, and the present painting represents an excellent model of this process. In his views and architectural inventions he prefers a clear and luminous palette, punctuated by deep chiaroscuro contrasts and a decisive volumetric rendering. As for the composition, he reproduces the Roman ruins with a faithful analysis, or, if built of fantasy, they should always be based on a plan of verisimilitude, with the light exposing the monumental architectures in ruins, the breached arches, the corroded walls, leaning against ancient monuments now invaded by vegetation. Both the canvases and frames are in good condition, with some signs of aging. The paint material is excellently preserved. WORK ACCOMPANIED BY PHOTOGRAPHIC CERTIFICATE OF AUTHENTICITY IN ACCORDANCE WITH LAW (FIMA ITALIA). For further information, please contact us.

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